編輯：目刻時(shí)光
她只有 29 歲，但作品已經(jīng)被泰特美術(shù)館收購(gòu)，并在拍賣會(huì)上拍出超過100 萬英鎊的高價(jià)。
在10月的Frieze London 2022，高古軒 ( Gagosian ) 的Jadé Fadojutimi新作個(gè)展，開展就很快售罄。
“我們都是美麗的，這就是生命這個(gè)詞所包含的”。她說。
她是90后，黑人女孩，杰德·法多朱蒂米（Jadé Fadojutimi，Born .1993)。現(xiàn)今國(guó)際藝術(shù)市場(chǎng)最炙手可熱的年輕藝術(shù)家之一。
為什么是她？
身份和美的永恒交織
▲Jadé Fadojutimi, September 2022. Courtesy The Hepworth Wakefield在 Jadé Fadojutimi 的畫作中，通常規(guī)模宏大，充滿流動(dòng)的情感和對(duì)自我認(rèn)知的追求。為此，她精心構(gòu)建了色彩、空間、線條和運(yùn)動(dòng)，用更全面的身份和美的永恒交織觀念的方式，來解釋日常經(jīng)驗(yàn)。她利用二十世紀(jì)繪畫中的關(guān)鍵視覺元素，如網(wǎng)格、層次和不同的標(biāo)記，讓人聯(lián)想到一種不斷變化的感覺。她的作品可以暗示植物、微生物或海洋景觀，但始終傾向于抽象。這些復(fù)雜的層次由多層油彩構(gòu)成的，互相疊加、重組。有時(shí)會(huì)被油畫棒從局部打破一些，以獲得更豐富的視覺體驗(yàn)。展覽現(xiàn)場(chǎng)：Frieze London 2022
參展作品：
▲Jadé Fadojutimi, Untitled, 2022.?Jadé Fadojutimi. Photo by Mark Blower. Courtesy of the artist and Gagosian.
▲Jadé Fadojutimi, Untitled, 2022.?Jadé Fadojutimi. Photo by Mark Blower. Courtesy of the artist and Gagosian.展覽現(xiàn)場(chǎng)：The Hepworth, Wakefield16 September 2022 – 19 March 2023
▲Vision and Reality, installation view. Photo: Nick Singleton
▲Vision and Reality, installation view. Photo: Nick Singleton
▲Vision and Reality, installation view. Photo: Nick Singleton
滲透的存在這是一個(gè)可以滲透的存在。Fadojutimi 在她的繪畫中對(duì)身份的探索和表達(dá)并不是獨(dú)立的，而是通過與人、地方、歷史和地理的關(guān)系無限聯(lián)系起來。在她的作品中，有黑暗、地下世界或灌木叢。厚涂顏料的小塊區(qū)域參差不齊地灑在作品中，。她從特定的地點(diǎn)、文化、物體和聲音中汲取靈感，尤其是日本動(dòng)漫、服裝和配樂（她從斯萊德學(xué)院畢業(yè)后前往日本，然后在 2016 年再次駐留，而后又多次回到日本）。寫作也是她創(chuàng)作過程的關(guān)鍵——有時(shí)她用它來幫助表達(dá)她繪畫的微妙之處；在其他時(shí)候，她通過采用更具詩(shī)意的方法將其與視覺平行放置。對(duì) Fadojutimi 來說，她作為藝術(shù)家和作家的角色是她創(chuàng)作實(shí)踐中同等重要的方面。Fadojutimi 作品：
▲JADE? FADOJUTIMI, The Empress of the Plants, 2022. 300 x 800 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jade? Fadojutimi
▲JADE? FADOJUTIMI, A Permeable Existence, 2022. 190 x 170 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jade? Fadojutimi
▲JADE? FADOJUTIMI, Woven Futures, 2022. 170 x 180 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jade? Fadojutimi
▲JADE? FADOJUTIMI, An Empathic Revolution, 2022. 190 x 170 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jade? Fadojutimi
▲Jadé Fadojutimi. How to Protect a Smile, 2022. Acrylic, oil and oil pastels on canvas, 300 x 500 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. 40°C, 2022. Acrylic, oil and oil pastels on canvas, 110 x 140 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. A Permeable Existence, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. Autumn, summer, spring and winter… don’t forget to colour in between the lines darling, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi, Ob-sess(h)-ion, 2020. 180 x 170 cm, oil, acrylic and oil stick on canvas. Image courtesy the artist and Pippy Houldsworth Gallery, London 版權(quán) Jadé ?Fadojutimi, 2020. Photo: Mark Blower?
▲JADé FADOJUTIMI?REBIRTH, 2022??oil, oil bar and acrylic on canvas?250 x 400 cm, 98 3/8 x 157 1/2 in
▲JADé FADOJUTIMITHE DAILY (HIP)FRACTALS(PO) OF A DREAMSCAPE, 2021?oil, oil bar and acrylic on?canvas?180 x 170 cm, 70 7/8 x 66 7/8 in
▲JADé FADOJUTIMI?HOPE, 2021?oil, oil bar and acrylic on canvas?220 x 300 cm, 86 5/8 x 118 1/8 in
▲JADé FADOJUTIMI?A CHAOS IN THEORY, 2021?oil on canvas?190 x 300 cm, 74 3/4 x 118 1/8 in
▲JADé FADOJUTIMI?EVEN AN AWKWARD SMILE CAN SPROUT BEYOND THE SUN, 2021?oil, oil bar and acrylic on canvas?200 x 170 cm, 78 3/4 x 66 7/8 in
多重元素，網(wǎng)格化充滿活力，流暢而多彩的繪畫，讓她的作品令人過目難忘。雖然有些作品是長(zhǎng)期創(chuàng)作的，有些作品則是一次性完成的，每一件作品都喚起了一種記憶或體驗(yàn)。Fadojutimi 還將服裝元素——布料樣本、以及長(zhǎng)筒襪和蝴蝶結(jié)的形狀——與模糊的輪廓相結(jié)合，以反映流離失所的創(chuàng)傷。回顧最近三年的大流行病，F(xiàn)adojutimi 說：“有那么一刻，每個(gè)人都能以前所未有的方式感受時(shí)間。尤其是當(dāng)我們考慮一個(gè)人的心理景觀，以及它如何捕捉和創(chuàng)造每個(gè)人獨(dú)特的記憶色調(diào)時(shí)。” 這種形成個(gè)人身份的獨(dú)特記憶和體驗(yàn)的想法是藝術(shù)家在她用層次和面、環(huán)、絞線和顏色和空間線，多重元素，以網(wǎng)格化的方式創(chuàng)作，在作品中的各個(gè)小空間空間探索。這種對(duì)身份的追求和由此產(chǎn)生的那種原始情感也許就是為什么這些畫如此流暢和充滿活力。Fadojutimi 作品：
▲JADé FADOJUTIMI?ROW, ROW, ROW YOUR BOAT, VIGOROUSLY DOWN THE STREAM, MERRILY, MERRILY, MERRILY, MERRILY, LIFE IS NOT A DREAM, 2021?oil, oil stick and acrylic on canvas?200 x 300 cm, 78 3/4 x 118 1/8 in
▲JADé FADOJUTIMI?VIBE WITH ME, 2021?oil, oil stick and acrylic on canvas?190 x 170 cm, 74 3/4 x 66 7/8 in
▲JADé FADOJUTIMI?PERHAPS THIS IS ALSO A CURRENT PATTERN OF LIFE, 2020?oil, acrylic and oil stick on canvas?200 x 150.7 cm, 78 3/4 x 59 3/8 in
▲JADé FADOJUTIMI?VITAL ABUNDANCE, 2020?oil and oil stick on canvas?110 x 140 cm, 43 1/4 x 55 1/8 in
▲JADé FADOJUTIMI?BIRTHDAY: DEATHDAY, 2020?oil and oil stick on canvas?200 x 220 cm, 78 3/4 x 86 5/8 in
▲JADé FADOJUTIMI?ALL MY MUSCLES HAVE PILLOWS, 2020?oil, acrylic and oil stick on canvas??220 x 160 cm, 86 5/8 x 63 in
▲∧JADé FADOJUTIMI?CAVERNOUS RESONANCE, 2020?oil and oil stick on canvas?170 x 180 cm, 66 7/8 x 70 7/8 in
▲JADé FADOJUTIMI?JESTURE, 2020?oil and oil stick on canvas?180.2 x 200 cm, 71 x 78 3/4 in
▲JADé FADOJUTIMI?LET’S DIVE INTO THE FROLICS OF HER HAT, 2020?oil and oil stick on canvas?150 x 220 cm, 59 1/8 x 86 5/8 in
▲JADé FADOJUTIMI?MOSAICKED UTTERANCE, 2020?oil, acrylic and oil stick on canvas?160 x 180 cm, 63 x 70 7/8 in
▲JADé FADOJUTIMI?MY FISSURED GLOW, 2020?oil and oil stick on canvas?170 x 180 cm, 66 7/8 x 70 7/8 in
▲JADé FADOJUTIMI?RIBBON OF THOUGHT, 2020?oil and oil stick on canvas?110 x 110 cm, 43 1/4 x 43 1/4 in
▲JADé FADOJUTIMI?THE LUXURY OF SINGLE CELL ORGANISMS, 2019?oil on canvas?160 x 220 cm, 63 x 86.6 in
▲JADé FADOJUTIMI?THANK YOU MY LOVE, I WOULD NEVER HAVE DISCOVERED IT WITHOUT YOU, 2020?oil, acrylic and oil stick on canvas, two parts?220 x 320 cm, 86 5/8 x 126 in
▲JADé FADOJUTIMI?SWOOOOOSH, 2020?oil and oil stick on canvas?110 x 110 cm, 43 1/4 x 43 1/4?in“Fadojutimi是一位我們已經(jīng)關(guān)注了幾年的藝術(shù)家，我們?cè)?020年的系列中獲得了她的一件作品。她是同時(shí)代最具活力和創(chuàng)新精神的畫家之一，語言的成熟程度遠(yuǎn)遠(yuǎn)超過了她的年輕年齡。海普沃斯·韋克菲爾德博物館的展覽為參觀者提供一個(gè)機(jī)會(huì)，讓他們?cè)诂F(xiàn)代英國(guó)收藏的背景下接觸Fadojutimi的作品，創(chuàng)造出許多令人驚訝和深刻的聯(lián)系。”——首席策展人Andrew Bonacina
關(guān)于藝術(shù)家
Jadé Fadojutimi (b.c .1993)擁有倫敦斯萊德美術(shù)學(xué)院的學(xué)士學(xué)位(2015)和倫敦皇家藝術(shù)學(xué)院的碩士學(xué)位(2017)。2019年，F(xiàn)adojutimi的第一個(gè)機(jī)構(gòu)展覽在倫敦PEER UK舉行，隨后于2021年在邁阿密當(dāng)代藝術(shù)學(xué)院舉行了個(gè)人展覽。Fadojutimi入選了2021年利物浦雙年展，并參加了2022年威尼斯雙年展“夢(mèng)想之乳”。
本文經(jīng)授權(quán)轉(zhuǎn)載自公眾號(hào)：目刻時(shí)光
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